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Sometimes these are in realistic approach and sometimes semi-realistic. But the common denominator in his paintings remain the movement and the kinetic force which he implies through the use of diluted ink to pencil, pastel, charcoal, acrylic and oil colours depending upon the demand of the subject.Biswas, on the other hand, has tried to explore the much wider subjects for his paintings ranging from “Scam Smelling Dog” to “God giving blessings” to the devastation that “Taliban caused to the world with its terror”. I also like to bring in variation in the medium that I use to express my imagination similar to my subject,” says Biswas.“These paintings are a celebration of a union between humans and the quietude of nature. The landscapes move in cyclic times, their daylight descending into resplendent hues of a serene lake or the darkness of a lonely night.

These works are a mix-bag of my imaginations that comes spontaneously while I get closer to my subject. They have a deep connection with the visible world that I saw during my childhood and non-visible feelings that can only be expressed on paper or a canvas. While Biswas has explored an array of non-visible feelings between humans and animals that coalesce them together, Mukherjee has tried to establish the necessity of clothes for people while showcasing the product’s immense potential of being dispersed across the canvas in myriad colours. I have used fabric to create these landscapes because I think the nature of the medium who evoke a need amongst people to visit nature anew,” says Mukherjee. Sometimes these are in realistic approach PVC injection molding machine and sometimes semi-realistic.On display are intricate paintings that come spontaneously from the store of their imagination while observing people and incidents they witness in their daily lives..“These works are a mix-bag of my imaginations that comes spontaneously while I get closer to my subject.

She shares, “Women who are slender can experiment with leg of mutton or full puff sleeves styles which gives a illusion of broader shoulder and heavier arms.Statement sleeves have made a comeback this season and who better than our fashionistas who showcase this trend. Heavy outfits should go with flowy and soft fabric like chiffon, georgette, crepe etc.

Since you have the drama on top, keep the rest of your look fitted so that you don’t look like a balloon.”Reshma suggests that since there is so much drama already keep the jewellery to a minimum. Choose the fabric carefully and follow a simple rule. Deepika Padukone One of the best examples of puffed sleeves are the ones you see princesses wearing in fairytales. She says, “You need to be very careful while sporting this trend.”Avoid a complete fashion faux pas by following a few do’s and dont’s.Giving us a brief description of how a puff sleeve looks, designer Reshma Kunhi shares, “Puff sleeves are usually sleeves which are gathered on top as well as bottom.

”However, it was Smriti’s trips to Varanasi where her mother had established Jnana Pravaha, an institute for cultural studies, which lead to the formation of her brand in 1997. I China Single door refrigerator am a student of History and I am here to keep the history alive. It has beautiful embroidery that looks like a piece of art, and more importantly, it has sentimental value for us.She further goes on to explain the extensive procedure of making a sari that can easily consume four to five months for one sari.

Her family also collected a fair amount of textiles, ranging from old to new; and heavy to fragile. She concludes, “ My daughter has an eye for detail and someday I would want her to take forward all my designs and textile information that I have archived. Being surrounded by such beautiful artworks, it was natural for her to foray into revivalism. The designer uses natural yarns of cotton and silk, its derivatives or the combination of both and pure silver and gilded gold for zari work to create saris. So, when I look at all this artwork around me I feel it was very logical for me to get into this sector to do something around the revival and preservation of handloom work. During these visits, she met many artisans and weavers, and it was this influence that turned her passion into a business of Indian handloom textiles. To maintain this exclusivity, the designer uses natural yarns of cotton and silk, its derivatives or the combination of both and pure silver and gilded gold for zari work to create saris in a limited number.Having worked several years now, Smriti possesses the knowledge of the know-how of Banarasi saris, and in future would like to pass it on to her daughter.Growing up in Rajasthan, Smriti was exposed to a lot of handlooms from an early age.”. While designing itself takes a lot of time, the looms don’t start working by January and don’t yield by September. Moreover, the commission for the zari artisans start at Rs 20,000-30,000 and stretches up to Rs 60,000-90,000.

It has an ornamental zari border and pallu-and buttis (little designs) of tara (star), mor (peacock), popat (parrot), kuyri (mango), rui phool (flower), paisa (coin), pankha (fan), kalas pakli (petal), kamal (lotus), chandrakar (moon), narli (coconut) and so on.The Paithani is not just a silk sari of gorgeous colours, intricate design and painstaking labour. It is now in its 28th year. Many city women have adopted Western-style dress, reserving the sari for weddings and other traditional occasions. Moreover, if she is a Maharashtrian bride, a Paithani would be the high point of her bridal finery. The local names of the colours are interesting: kaali chandrakala (black), uddani (fainter black), pophali (yellow), neeligungi (blue), pasila (red pink green), mirani (black red), pheroze (white red pale green), samprus (green red), kusumbi (purple red), motiya (pale pink) and shkirodak (white).

The eye-popping dhoop-chaav (light and shade) effect is achieved by weaving two different coloured silk threads together in the process of a simple tabby weave. He will dye the thread, and supply it to another family of weavers who will transform it into a bright sari that will adorn regal wardrobes but will hardly make life better for its creators. The government has invested heavily to make infrastructural support available to the weavers. Paithani uses the ancient technique of tapestry where multiple threads of different colours along with gold and silver threads are weaved together to form a fascinating piece of silk. The normal zari count is 1,200 yards, which may increase to 3,000 yards in the case of the traditional coconut design border. It’s made from natural silk or cotton, along with precious gold and silver metal threads, that gives Paithani the Midas touch.5 inches), and the cheapest is the sari with the narli border as it is the easiest to weave. The designs show the influence of the panels of Ajanta frescoes close by.com. On par are the sankhli mor (chain of peacocks) and the Ajanta lotus border measuring six inches each. One of them was a green Paithani sari with a coconut motif within brocade checks. The rainbow-coloured sari growing under their fingers takes months to make, and hardly fetches them a decent earning.Paithani saris have been a precious heirloom since the Shalivahana era of 2nd century AD and have been handed down from mother to daughter for several generations.Paithani saris are known the world over among those with a discerning and refined taste, as a poem hand-woven in silk and gold with a powerful visual appeal. Many of these designs are found on the border and pallu in different sizes and patterns. The hub hosts about 3,500 weavers.No Maharashtrian wedding trousseau was ever complete without the Paithani sari and shawl or stole.

You can work this look in the evening or after-the-work-shift hour too, just accessorise with chunky bracelets or a neckpiece.Structural choiceDesigner Gautam Gupta:A simple flowing A-line dress in pastel is a great pick for your day look. The point is, it’s not supposed to match.When it comes to colours, pastels are a huge hit. Also, include monochromatic ensembles and a lot of stripes and checks. They&rubber dumbbell factory39;ll work well, and give you a pleasant change from the same old white shirt and blue denim combo. A breezy shirtdress with white sneakers is the most basic go-to look for the summer.There’s something inherently wearable about the new wave of eclecticism. Gingham with snake print? Sure! Ripped denim with over-the-top embellishment? Why not? A patent trench with a brocade dress? Absolutely!When attempting this eccentric styling, pile on the bright colours, and don’t just stop with your clothes — opt for bright accessories too. You can pair it up with nude block heels and you are set. Designer Pria Kataaria Puri Baked, boiled, roaste.

Yes, we’re all feeling the might of the fierce # summer. I’d recommend you play with different yet simple silhouettes by adding layers to the look. Think bright blue and grass green, pink and yellow, blue and red, purple and pink. Style gurus take their best style picks for a smooth sailing this season:Clash your coloursDesigner Pria Kataaria Puri:Not for the shy types but spring/summer 2017 must-have trend includes a riot of colours but one notch higher — clashing to the max. They are hassle-free and work well for almost all body types. People usually believe that layering works well only during winter, but if styled correctly, layering can be a part of anyone’s summer wardrobe. A sheer shirt with collar tucked in and a high-waisted palazzo pant is an ideal choice.Summer layeringDesigner Ashish Soni:My ideal summer pick includes mostly simple and easy silhouettes. My philosophy has always been ‘less is more’ and this works well especially for the summer season.. Go for fabrics like linen, chiffon, cotton that are easy to style and compatible with this hot climatic condition. Pair it with stilettos and tie your hair into a bun and you are good to go. Use some net and crochet patterns, in dresses as well as tops. Shirts and palazzos when paired make for a great work-appropriate attire. Many designers are pushing forward the concept of mix and match. Tuck a printed shirt into a high-waisted jazzy skirt using a belt to blend a look together. They match with anything, so it makes them very easy to style.

But I think the move will have a positive effect in the long run. And my family has been my support. I had to work until midnight for several days to help the weavers understand my ideas. The 41-year-old designer cashed in on demonetisation and her clothes were a fusion of old Rs 500 and Rs 1,000 note prints with new Rs 2,000 notes. I’ve used fabrics such as organic cotton and fused it with Tussar silk.Althea’s collection with Rs 500 print. I’m writing a letter to the PM so that I can present him with a piece from my Resistance band factory collection. But I’m happy with the response.Althea began her career in the fashion industry four years ago and worked as a beautician and hair dresser before that.Talking about her collection, she says, “My collection is vintage-themed and sustainable.”Althea was brought up in Mumbai and moved to Hyderabad after marrying Dilip Raj Krishna.”

“I always wanted a career in the fashion industry but things are working out for me only now.Althea Krishna was all set to present her collection on the ramp at LFW, but chose to exhibit her clothes at the venue instead. Althea started trending overnight when she announced that she would present some of her collection to Prime Minster Narendra Modi.Althea started trending overnight when she announced that she would present some of her collection to PM Narendra Modi.

Another team member, 18-year-old Danish Shaikh adds, “We will be sharing our stories and the things we have been through. Twenty-year-old Sandhya Nair, who takes to the ramp at Lakme Fashion Week later this week, is overwhelmed by the idea of the event. I have decided to keep the collection natural with handloom fabrics and simple designs. I had only heard of one designer before, and that’s Manish Malhotra. Sandhya, along with her friends from Mumbai’s notorious red light area, will narrate their tale in a way never done before. Their spirit is amazing and the confidence they radiate bring a sense of happiness to you,” says Mandeep, who for one of her previous collections, had chosen Kamla, a housemaid, as the model.

A shortened version of the same, cut to suit the LFW format will be performed on the ramp. Pitching in the effort is designer Mandeep Nagi and together they will present a fashion collection through an interactive performance. Everyone who has heard of Kamathipura or been there has only one perception of the place, we will be showing them Kamathipura through our eyes.’ With these girls, she has says she has finally found someone who depicts the language of her work perfectly. The LFW this year has collaborated with Kranti, an NGO that empowers girls from Mumbai’s red-light areas, to be agents of social change. It is a huge platform for us, and I’m very excited to wear designer clothes. We have performed the play in US  but since the time span here will be less, we have shortened it to 25 minutes.Mandeep, who will be making her debut at LFW this year has always maintained that her clothes are not for your typical ‘models.”Like Mandeep, the girls are equally excited.

The company, with an annual production capa-city of 15 lakh dozens, said it has three fully plants in the country.. Add to it the meticulous attention to detail at every stage and a top-notch team of designers, and together it results in achieving shorter lead times and greater efficiency,” the company said in a statement.“From manufacturing to exports, this brand boasts of its state-of-the-art technologies and innovative processes.

Recounting its achievements, Bodycare said that it has several firsts in the industry such as introducing stain free panty in India (Teflon finish), lycra stretch panties, porcian printed, moulded and non- padded mould technology, seamless panties and also for launching the novelty design elastic panties.